#visual basic script
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I've made a homage to visual basic script, the easiest and most fun coding language there is! I'm actually so sad to see her go
by 2027 they will start to rip her out of our machines, enjoy 'er while you can, lads.
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But why would you use .vbs?
To let the love letter read out by a very monotoneous-sounding computer voice?
emails couldve been something beautiful. in the right hands
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Recursos: Macro ArcMap para mover una entidad por coordenada
Mientras aprendo a usar ArcMap, traigo un pequeño código para una tarea que daba por imposible de hacer aparte de forma manual: Mover una entidad.
ArcMap se ha vuelto una pesadilla. Es una herramienta muy útil, pero usarlo requiere muchísimo trabajo manual y repetitivo, así que voy a investigar como ir automatizando algunas tareas, sea mediante programar por mi cuenta o usando inteligencia artificial. Para empezar, traigo un pequeño código para una tarea que ya estaba dando como imposible de forma programática: Mover una entidad de un punto…

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I FINISHED THE ALTERNATE BAD END ROUTE!!! I STILL GOTTA FINISH THE OTHER BAD END(it’s basically the same thing just a little different!) AND THEN EVERYTHING ELSE I MENTIONED EARLIER!! I did also get TWO(technically three) cg’s planned out too for the bad end!! Gotta say, probably one of the most gruesome things I’ve EVER written before LMAOOO the word count is at 2904 rn!!
Also! I know I had planned for the demo to be a day and a half but I think I’m just going to make it a day and then heading into work the next day! This is basically my first project(I had barely had any ideas for pacing when it came to Mine so I wasn’t sure where to start) and so I don’t want to overwhelm myself! Speaking of days I haven’t really planned out how many days I wanted there to be, there will definitely be more then five days(I can’t make a short story to save my life) I’ll get to a rough outline of events and routes after I finish writing/release the first day!
#☕️-cafe sweet#yandere visual novel#male yandere#yandere#visual novel#yandere boyfriend#yandere vn#I think tomorrow I want to work on the title page#I had started it before but I’m not really happy with it#think I’ll just go with something a little more simple#I also gotta do sprites#maybe I’ll start with Sanka’s tomorrow as well!#I’ve been waiting to finish the script so I can gauge what kind of expressions I want to make so far#I’ll def add some more sprites in the future though!#and then I think gui will come in another update#cause I wanna change the basics but I don’t have any solid ideas yet!
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Programming Languages For Youths And Adults ...

Programming Languages:
The best ways to learn programming are Snap!, Small Basic, Python, Small Visual Basic, Scratch and TigerJython.
Java
Ruby
C#
PHP
C++
Snap!
Small Basic
Python
Perl
TigerJython
Go
Scratch
C
JavaScript
Visual Basic
Post #234: Programming Languages For Youths And Adults, 2024.
#programming#coding#programmieren#small basic#education#coding for kids#python#scratch#snap!#java#ruby#php#perl#tiger jython#java script#visual basic#programming languages
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some recent sprites for "on the flip side" characters (or rather the dimensional doubles of existing characters lol). ive posted characters from this universe a lot over the years, as its my oldest story that i still work on/think about, but ive never really explained who they are! if youd like to explore the setting and characters of "on the flip side" a bit, i made a carrd for it here (its still a wip but im trying to get it all finished within the month! main characters have fully written out bios & backstories, some side characters still just have basic info.) (also this all takes place in a fictional californian city and if you read this and go "wow that is definitely not how things are in california or the us" sorry i dont know shit im french.)
#ocs#sprites#otfps#cassie#damien#richie#freddie#mariko#marty#im not actively working on otfps As A Story bc im no longer sure what medium to make it#(it was originally thought of as a script for a tv show. eventually moved into a comic project. then decided a visual novel was better#and then thought of making it just a novel. currently not sure which way to move it & im just focused on other projects.)#im sure ill eventually come back to otfps in some way or another as im v attached to these characters and their story#but for now theyre just Around and i draw them sometimes#carl is written down as 'little is known about his early life' but dw I Know. im just not telling.#these are not even all the characters in the setting either..#theres like. the other side of the keene family (landons twin sister her husband and their three kids)#as well as koënn and karol#but those characters dont show up within the first arc of the story so im not even including them ok..#oh also to clarify#when i say the main 4#the protagonist of the story is caroline and she was always meant to be the main pov character#however a lot of the story has come to revolve around carl (though you dont get much insight into him originally)#so hes like. well hes not a secondary protagonist. hes not a pov character. idk what he is but hes v important to the story lol#the other main 2 are côme and lucy#overall its primarily a story about the keene siblings + lucy who serves as the only character w in depth knowledge of the setting#also its a story about people w issues and the different ways they cope w them#and a lot of it is about young people who grew up w absentee parents trying to figure themselves out without good parental support#so if you wonder why half the characters parents are super distant and never around. well its kinda the point basically
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post-forced-extension of that assignment i was losing my mind about tuesday/wednesday i experienced a very familiar "ah.... it's as if the deadline no longer exists....." feeling that has now been replaced with "wait i still can't find the resources i need. and i don't know how to organize this. and i don't know what im presenting on (<- super broad topic and i can't fucking find the information i actually need bc our university doesn't?? give us jstor subscriptions or whatever anymore??? so it's all scholarly stuff i can't read or ppl's blogs which im not fucking using for this and half of them just copy entire paragraphs from encyclopedia britannica. who is saving my ass but whatever)" mixed with "I'll figure it out later 🙂↕️" IM PRESENTING IT IN 11 HOURS 💀💀💀
#im having a really hard time focusing too. which always happens bc when AM i focusing anymore but like#still. would love to do anything but stare blankly at my screen humming will wood songs for like an hour. if anyone can make that happen#can someone just fucking tell me what the effects of ireland's political Situation in the 20th century meant for its literature#im begging you just tell me because im finding nothing. i have read so much General History but i can't find lit analysis thats not paywalld#and thats what the presentation's supposed to be on. not a bio of wb yeats which is all im getting somehow#why is this so hard why couldnt i have just presented on the byronic hero or something. fuckkkk#at least i have rascal lying behind me in the chair. we are ass to ass sorta in solidarity (he doesnt care)#he has been oddly cuddly the past couple of days which is nice. have i mentioned that? whatever#but like i havent even edited the ppt since wednesday morning. ive jist been doing more research i have to write a script and do visuals#and it has to be under 15 mins even though im talking about ireland starting before the famine AND the literature from that whole period#if i can fucking FIND ANYTHING ON IT GRRRRR and also can someone just tell me when the celtic tiger happened#idk why but im struggling to find super basic facts and i feel like im losing my MIND. why is this so shitty#it's not supposed to be this hard why is everything. soooooo hard for me all the time orz orz orz
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made my very first ever shader in shadergraph :-)
#be proud of me#i've been trying to figure out how to understand any variation of programming for years now lol#i think shadergraph/nodes are as close as i can get#visual scripting makes a lot more sense#and shadergraph does too now!! i get what the difference between a float and a vector is now.... woah...#basically i needed to make a glow/rim shader that could also have alpha and normal maps and basecolor slotted in#perhaps i may someday *actually* be able to qualify as a technical artist..... hm....#a job that is actually in demand very very unlike 'generalist 3d artist'#personal stuff#honestly it's been embarrassing how like. befuddled any kind of programming/scripting has made me all these years.#i have a similar relationship to it as i have with any kind of theoretical math or physics
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and it goes without saying that the state of art history/visual culture video essay youtube is a bit dire. in that it like, doesnt exist outside of a few one off videos by general youtubers, decade old recordings of lectures, and random short text to speech videos that are likely ai generated
#we know the wonderful jacob geller whos afraid of red yellow and blue essay#and drapetomania is really fantastic especiall on the visual culture side of things especially with race#(which is one of my biggest personal areas of interest so i might be biased LOL but someone has to be biased about this)#(unrelated but sometimes im in my art history classes which. while in recent years have become slightly more diverse)#(still lean quite white and like. they do their best. theyre willing to listen. but theres a lot of blindspots)#(so the least i can do is be really loud and mixed race in class HDJKFKDF)#but its rough if someone wants some to know more of the beginner stuff. like more accessible for some of the basics#like not just the basics of the theory aspects (although that is important) but also like the basics of the history aspects#hell i have a lot of blindspots with certain eras and movements. dont ask me about medieval art i dont know like anything 😔#i dunno i think theres a gap in educational focused youtube that could be filled? it could be fun#not by me though i cant read a script for shit LOL if u want the bmpmp3 art history video essay then find me irl in a museum and ask me a#question and i will give you my entire bachelors degree in the next hour or two. like nature intended for us art history majors
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LOA IS SO FUN.
REAL TALK: LOA IS THE MOST ENTERTAINING THING EVER.
Like, this shit never fails. You think it, you assume it, you persist—boom, it's done. No struggle, no questioning, no waiting around for "signs." The law isn’t about hoping or wishing. It’s literally just knowing. Knowing that what you want is already yours and watching reality bend around that fact.
Pinterest? That’s just online shopping. I see, I save, I claim—guess what? It’s in my reality. My vision board is basically my cart, and the universe (or my subconscious) is checking out for me every time I decide it’s mine.
Scripting? That’s just me writing my own damn storyline. I’m not manifesting like it’s some far-off dream—I’m literally creating my life. Every word I put down is a command. Reality has no choice but to follow. I write, it happens. End of discussion.
Manifesting? It’s not some mystical process. It’s not "working hard" to get what you want. It’s not about forcing things or proving anything. It’s just persisting. Or better yet, just accepting that it’s already here. What resistance? What struggle? I don’t chase, I don’t beg, I don’t doubt—I claim. Because the moment I accept it, reality aligns.
Visualization? That’s just reality shifting with a soundtrack. You ever stare out the window, daydreaming with music, and just feel that scene like it’s real? That’s it. That’s all it takes. You just placed your order with the universe. It’s already on its way babe.
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I SHIFTED. - (SUCCESS STORY)
YUP. YOU READ RIGHT.
i can finally say this, with confidence (even though i’ve shifted to parallel realities before). i shifted to yet another parallel reality, and it didn’t even take much. i moved multiple times throughout the method, i was barely concentrated, and i definitely changed up what i was doing halfway through, yet i still shifted! so if you still think that ruins the whole experience and prevents you from shifting, get that thought out of your head. don’t force yourself to be uncomfortable just because you think moving or changing up your strategy fucks up the whole thing.
IT DOESN’T, FREN. Trust yourself.
anywho, time to get into exactly what i did last night, and what resulted from it.
so, around 1 am, i finally got into bed after playing some games and starting my hogwarts dr script. obviously, with my horrible sleep schedule, i did not immediately go to sleep. i did my nightly scroll on tumblr just to get motivated, and while i was reading i found this one method to get into the void. it’s called the pendulum method. i found it in a post by @pineapplepr1nc3ss888 so go check it out! essentially, you visualize a pendulum swinging back and forth, and you move your eyes left to right while they’re closed; basically a form of self hypnosis.
I remember being on my phone until around 1:14 am. This is pertinent.
when i finally decided that i wanted to get into the void state (because that was my initial intention), i put on a hogwarts express ambience video and started doing that method. it took no time before i started losing feeling in my hands. my body felt like it was sinking down into my mattress, and i felt pins and needles on the back of my whole body.
then…i got uncomfortable.
i was kinda laying like a stereotypical outline of a cartoon dead body. you know, one arm up, one arm down kinda deal. my elbow got sore, and i got up to move when the video was at 44:45. i glanced at the time, and guess what it was?
1:39 in the fucking morning.
“val, what does this have to do with anything?”
i’ll tell you. remember when i said i was awake at 1:14 am? if we do some math, we’ll see that there was no possible way i could’ve been awake at 1:14, because the ambience video would started at 12:55 am. maybe even 12:54. but i VIVIDLY remember looking at the time at both 1:10 am and 1:14 am.
so, in conclusion…I SHIFTED!
to further prove this, today i went into english class for the first time since the very first class we had. the two classes after that, i was sick, and every class after that, my teacher canceled. i manifested that!
but today, while i was in class, my teacher mentioned something that we talked about on monday. which is weird, considering i remember seeing that class was canceled again on monday. hmm…seems like another sign i shifted. just saying!
anyways…thank you for coming to my TED talk. i will be trying that pendulum method again!
BYE! HAPPY SHIFTING!

#shifting realities#shifting blog#shifters#shiftblr#shifting motivation#reality shifting#shifting diary#shiftingrealities#shifting antis dni#shifting community#shifting consciousness#desired reality#vshiftsss
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Alright I'm gonna watch the travesty that is the live action httyd. So I'm taking notes like for Lilo and Stitch, and I have the original script, and the original movie pulled up, just to be sure I'm not forgetting anything despite the original httyd being seared into my retinas since age 10
TL;DR written post-watch cause this became like 2,000 words, It's bad, it's horrendous. Pretty much everyone is slightly to horribly out of character, they're all mean and/or stupid. It's mostly the same movie, but every change is for the worse, and everything that's stayed the same is acted and directed MUCH worse.
Berk isn't their home anymore it's just some random island close to the nest, the Red Death isn't fireproof, they still fire into her mouth but there's no reason for it now unless you've seen the original, Astrid is emotionless through the whole thing, none of her anger, passion or any other emotion is here.
Toothless and the other dragons are much less intelligent. The CGI looks like a mobile game ad most of the time. Overall, not a single good thing here, don't bother watching it, let alone giving it money. Go watch the original, or read the books and ignore this fucking insult to animation and to How to train your dragon.
Right off the bat:
"This, is Berk" no the fuck it isn't, that's a moldy pride rock. It's so ugly and, small.
Oh, the sheep isn't even real. What too pussy to use a real sheep? It's a fake one attached to a bell like someone wouldn't notice a real sheep bleating or THE GIANT FUCKING DRAGON TAKING IT. I guess the point was they're keeping the sheep safe from the dragons, then why put out bait? If the dragons don't see sheep they won't attack? Probably? Man idk, it's stupid
The opening monologue too, is just. Soulless. More brief and not an ounce of sarcasm or dry humor. Y'know, a big part of Hiccup's way of speaking
Stoick so far is alright. He's not NEARLY as imposing as his animated counterpart, didn't even recognize him at first. Even with real human proportion limitations, still think they could've done more in the costuming department, at least added some height to him cause rn Hiccup is like, up to his shoulder which just feels wrong
CGI so far looks horrendous, a shot of the dragons setting fire to the village looks like a fucking mobile game ad
Hiccup going to Gobber and that whole little scene is much more clunky here. They've removed basically all the sass and jokes from the scene, from BOTH sides. "They need toothpicks don't they" and "little-er" are gone The latter probably because they knew they severely miscast Hiccup cause this guy doesn't look like the scrawny little loser Hiccup is at the beginning of movie 1
Astrid coming out from smoke instead of walking in front of an explosion is just lame and screams "we didn't have the budget"
And on Astrid, Hiccup going on about how cool she is instead of just the delivery of her name letting us know he has a thing for her, is keeping up the trend of these fuckass remakes really struggling with subtlety and visual storytelling
Alright so Hiccup is a straight up moron now
First of all they're putting WAY too much emphasis on the Astrid thing, it wasn't acknowledged at all until a couple teasing comments from the CHILDREN in the arena, NOT Gobber Second of all, the launcher thing he built. Why the fuck does he firemit twice on purpose, at his fellow vikings? In the original it was an accident, he patted it, the mechanism was too sensitive and fired and hit a viking ON ACCIDENT
All the acting is so incredibly, and I hate using the word but there's no better one I can think of, cringe. It feels like a youtube skit more than a movie
And the delivery is horrible, especially on Gobber. In the original you could tell him and Hiccup were at odds but they still liked each other, Gobber came across as a silly uncle figure, who was still protective, and only became serious when he saw Hiccup was a danger to either himself(running out into a fight he wasn't ready for) or others(accidentally knocking a guy out with his launcher) here, Gobber seems to barely stand Hiccup and Hiccup is no better towards him
Okay just don't tell us the Monstrous Nightmare sets itself on fire, alright, HOW AM I SUPPOSED TO KNOW THEN?? (I know because I'm me, but for general audiences it's a weird omission, if I didn't know, I'd assume it was just, accidentally on fire, not something it deliberately did) they didn't bother introducing the rest of the teens either, Hiccup calls them the fire brigade and focuses solely on Astrid, we don't learn the others names till later
The whole dragon attack is so slow and anticlimactc, and this is the last time I'm mentioning Hiccup's delivery, because it's awful. End of story, slow, over-exagerated, not an ounce of the charm and sass Jay Baruchel brought to the role
No talking fishbone rant and Hiccup imitating Stoick. 0/10
So, Berk is no longer their home. BERK IS NOT THEIR HOME. It's just, close to where a "key dragons nest" is… They're setting up for the 3rd movie where they just ditch Berk so it's not a plot hole aren't they? It just, gives so much less weight to everything. They're not defending their generational home they're just, camping out to kill dragons
This was no doubt done to explain the POC vikings, as "the best warriors from all around the world" but. They didn't need to do that. It's a fucking fantasy dragon movie, especially for the background characters, cast whoever you damn well please, you don't need an in-universe explanation that ruins the lore and significance of the main location
The great hall is also tiny and cramped now
Gobber doesn't stay to talk to Stoick, Stoick has to stop him from leaving the hall. Gobber is just an ass here. Fuck this whole movie, bury the script with some C4 and light it up
Okay they mention Valka, by name, that's a good thing, but it's the least I'd expect now that they know exactly where the story is headed
WHY IS EVERYTHING SO BRIGHTLY LIT THIS IS ONE OF THE MOST TENSE SCENES IN THE WHOLE STORY AND IT LOOKS LIKE THE GODDAMN TELETUBBIES HILL UP IN HERE
Overzealous, excited teenager "I have slain this mighty beast!" VS generic protag guy "I DID IT!"
The shot of the reveal of Toothless' open eye gives me goosebumps, every single time. The atmosphere, the score, the slow camera movement and angle. None of that is here, it's just, oh, it's open btw here he is
Okay more of every character being meaner for no reason, why did Hiccup start to leave? In the og he immediately went to cut Toothless loose. Here he has to hear a whine then go back. Jackass
And Toothless doesn't pin Hiccup because the CGI characters interacting with the live humans is expensive and hard to pull off. Also GOD he's so SLOW and just. He feels like he shouldn't be able to lift off the ground, all his speed and agility are gone, and BCAUSE of said sluggishness we linger long enough on his tail to SEE IT MISSING HALF OF THE TAIL FIN BEFORE THE ACTUAL REVEAL. FUCK THIS MOVIES' COMPOSITION AND DIRECTION IS ASS
He doesn't even faint, he doesn't even stumble he just kinda. Looks at Toothless flying away, and sighs. He doesn't look like a guy who got attacked by the scariest dragon they've never even seen, he looks like a guy who saw his car getting towed
The conversation between Stoick and Hiccup is alright I guess, just a worse clunkier version of the original with worse delivery, not much more to say
Ooookay, dragon training, dunno what "trial of flame" is, dumb, will be ignoring it. They seem to be cause they call it dragon training half the time, anyway. Banter is OK, however, "daddy pulled some strings" is such a dumb line. Second, Tuffnut sounds so whiny and him and Ruffnut being held back, 4 years, makes them 19-20. That's. A pointless, mildly weird inclusion
They act childish as ever but they're that much older than the other teens. Again, utterly pointless
"Will you stop that?! You big bag of wool." And so, insulting Fishlegs, for his weight, was absolutely necessary apparently? Isn't this supposed to be the modern progressive remake that "fixes" and "improves" aspects of the original??
As far as I remember, Fishlegs was never made fun of for his weight, not in the first move at least. I don't wanna say with certainty without checking. But in this moment he definitely wasn't, and it further makes Gobber just, a jackass in this version
So. Gobber takes Hiccup's axe, emphasizing how important a shield is. Then Hiccup has to awkwardly tap his shield with his hand to make noise while everyone else still has their weapons?? Why??
Yet again I find myself, asking WHY. Why did we need the dragon manual scene to go on for so long just so Hiccup can simp for Astrid some more? So Astrid can further emphasize how Berk isn't their home and they don't care about it? So we can learn Hiccup and Stoick's house, their home, the home they lost Valka in, the home they cherished. Is like the viking white house and if one of them isn't chief they get kicked out?? The fuck is wrong with this movie??
Unsurprisingly the scene of Hiccup reading the manual is short, lame and without a fraction of the atmosphere and creepiness of the original. It's like he's reading a damn instruction manual and skipping to the part he needs to read
Seeing the ships get attacked is pretty neat, alright that one is a plus
They put the hesitation before the nose touch back, good. But forbidden friendship just, doesn't hit the way it does in the original, it's kinda. Boring, didn't make me feel a damn thing
Okay all the "us girls gotta stick together" is so fucking annoying YOU CAN SHOW THEM BEING FRIENDS WITHOUT POINTING IT OUT WITH OVERUSED MODERN TERMS. Show don't tell, dammit
Gothi standing there moving beads is also stupid and pointless, and her design isn't nowhere near as charming as the original(design being casting and costume)
Exchanging dragon nip for dandelions is also stupid
"Who's a good boy??" Ah so Toothless is in fact, a dog now. Good to fucking know. He seems so much less intelligent here as a whole
Test flight is just bad, bad camera work, bad cgi, bad everything. And no Toothless accidentally running Hiccup through fire in the end. Why remove it it was such a fun little gag
If I don't directly mention a scene, assume it's the same, but worse. That's how a majority of them are, same script with minor alterations and worse acting and animation I just don't have anything to say on those
Not faulting Nico Parker, she's doing the best with what she's got, but what she's got is a bad script and bad direction. Because Astrid seems so cold, and emotionless. Seeing the Red Death and saying "what is that" wtih a complteltly nerutral expression, she sounds like she's asking about an ugly shirt her friend is wearing
Also how do you manage to make the northern lights ugly? How is that possible? Beautiful blues teams and purples vs puke green
"Don't get inloved, my dad respects you too much" VS "make sure they don't find Toothless" So this Hiccup cares more about Astrid's reputation, not her, her REPUTATION, than he does about Toothless' life. Got it. SIMP. FAILTHY FUCKING SIMP What have they done to my boy.
Okay there was one neat shot of Hiccup's hand matching Toothless' paw when they're trying to climb up
"ASTRID GET BACK HERE. THAT'S AN ORDER." So, he's concerned about flaunting power and being right, not just, getting a kid out of danger. He's upset they're not listening to him, not that they could get hurt
Fight between Toothless and Hookfang is extended and I guess it's decently cool, but that, and the longer fight between Toothless and Stoick, just makes everything slower and more anticlimactic. The original was quick and snappy, this is just "we're filling time"
"You're not one of us. You're not my son." Cannot BEGIN to compare to "You're not a viking. You're not my son." Seriously the delivery, the line itself, hits nowhere as hard. I guess bringing up Valka is alright but feels a bit forced ngl
WHY DOES TOOTHLESS HAVE A FUCKING AMERICAN FOOTBALL CROTCH GUARD ON HIS FACE LMAO WHAT IS THAT
Alright final battle, mostly the same but worse, HOWEVER, The occupational hazard line was removed, this one and the setup for it earlier
And Stoick, doesn't say "I'm sorry" nor does he tell Hiccup he doesn't have to go. No no he says he was "just trying to protect him" and that whatever happens up there he's proud. He doesn't apologize, he doesn't take accountability for being wrong
They got rid of "not fireproof on the inside" with the terrible terrors, and therefore, no explanation as to how or why Hiccup decided to fire inside the Red Death's mouth. Especially considering SHE'S NOT FIREPROOF. THEY BLEW HOLES IN HER WINGS AND FLEW THROUGH THEM FOR A COOL VISUAL, COMPLETELY FUCKING RUINING THEIR WHOLE LORE
(EDIT) I was mistaken, someone pointed this out and I went back to rewatch. In the original they blow holes in her wings too, but there it's much more subtle and it's small holes that get torn apart by wind instead, in the remake they just blow massive firey holes in her wings
Stoick apologizing and waiting to see Hiccup alive is alright, but they really should've kept it a father son moment, Astrid doesn't need to be there. Also, just he's alive. No "you brought him back alive" he still thanks Toothless later but that line was a nice acknowledgement to what he did
Well, the rest of it, is just the same, but worse. They acknowledge that Stoick and the others rode back on dragons, I guess that makes sense, it's alright
Snotlout has a non-subplot with his dad which was done much better in the show, not much else to say on that
And that was it. The live action How to train your dragon remake. In a word. Soulless. The same but worse. What they do change is for the worse, not a single person aside from Gerard Butler was cast appropriately, nor designed as far as costuming goes, they bend over backwards justifying the changes they've made and the movie is much worse for it
Every single character is also, meaner for some reason. Only Fishlegs is about the same but more whiny somehow. It's just. Bad, no other way to say it, it's bad. Gobber is the worst offender, he's an asshole to Hiccup, to the other kids, everyone. Hiccup is also so unlikeable and a genetic protagonist with bad delivery. By the end I couldn't give less of a shit if he made it or not cause he was annoying more than anything
Toothless is significantly less intelligent, agile and cool than in the original. Same goes for all the dragons honestly. Trash heap with bad cgi, bad acting and a bad script. I'll be happy when it's forgotten. And I hope the sequel gets canceled, but general audiences will make this at least an 800mil movie so that probably won't happen
#Httyd#Httyd 2025#Httyd live action#httyd live action criticism#httyd live action spoilers#Httyd live action salt#How to train your dragon#Anyone who goes to see this thing in a theater and pays for it immediately loses my respect#Vote with your wallets for real this time#These shitfuck remakes need to end
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How cutiesai made 14 Days With You
I've received quite a few requests in the past asking how I made 14DWY, what resources I used, how I organised my lore, etc. — so I figured I'd make one big post and share it with everyone else as well! It features a buuunch of helpful stuff I wish I'd known when I first made 14DWY, so hopefully this will help others too!
⚠ This is all copied & pasted from a Discord post I made back in early 2024! I'll also be adding to it over time, so feel free to check back every so often! ^^
What engine do I use?
14DWY uses the Ren'Py engine!
There are two preinstalled games (called "Tutorial" and "The Question") that give you a basic rundown on how to use the program!!
Zeil Learning's video called "Ren'py Tutorial For Beginners" is also a good place to start for those who have no idea where to begin with Ren'Py!
I also really recommend these Ren'Py resources:
Lemma Soft Forums
Ren'Py Discord server
Ren'Py subreddit
Zeil Learnings, ElaineDoesCoding, Visual Novel Design, and Ess Ren'Py Tutorials on YouTube
Searching through the "Ren'Py" tag on itch.io for community-made assets and resources (make sure to give credit if you use someone's asset(s))!
Feniks and Wattson offer some really helpful stuff!!
Not Ren'Py related, but helpful for creating a VN:
Obsidian and Notion for planning and worldbuilding
Visual Studio Code and Atom (comes preinstalled with Ren'Py iirc?) for scripting/coding
Pixabay and Pexels for royalty-free images and stock photos
DOVA-SYNDROME for music
Clip Studio Paint (paid) and Krita (free) for drawing
Toyhou.se to store your littol guys (If you need an invite code, I have over 300 to give away lmao ^^ Send in an ask to @cutiesigh if you'd like one!)
An itch.io account to upload your game for free and share it with others
General tips to keep in mind:
Make games for fun, not for fame. Too often, I see new developers create VNs with "trending tropes" because they see how successful it is and want the same level of popularity. As harsh as it sounds, this only makes your game feel hollow and superficial, and players will notice.
When using Ren'Py, it's better to have multiple .rpy files rather than putting everything into one large file!! It makes organising and finding things easier, and if something gets corrupted... at least you won't lose everything!
Plan everything beforehand, but give yourself room to expand and implement new ideas.
Start small and slowly expand over time. Don't start off with an overly ambitious project, as it can be disheartening when you put all this effort into something just for it not to gain any traction. Also, be grateful for your earliest supporters, as they're the ones who will lift your project off the ground!!
This is a personal preference, but I recommend starting off with itch.io as your main distribution platform. Most storefronts take a cut from your donations and revenue, and sites like Steam require a $100 fee just to publish your game on their platform. Itch is free, and you can even toggle off revenue sharing in your profile settings! (I like to keep it at 10% though, because I'm grateful for everything the site provides ♡)
If you ever need help with Ren'Py, you're always welcome to join the 14DWY Discord server and ping me in the help channel!
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TILL DEATH DO US PART.

Lee Know x reader. (s)
Synopsis: You and Minho head to a cabin for a weekend getaway but beneath the seemingly normal relationship, both harbor dark secrets and hidden desires to end the marriage by any means necessary. (13,1k words)
Author's note: Happy birthday to the poster boy to my spooky Halloween fics, Lee Know 🦇
Content warning: Violence, graphic imagery, blood, toxic romance. Readers discretion is advised!
Minho wants to kill you.
He’s reached the point where he can no longer tolerate you. You've crossed the line of things you shouldn’t do and checked off every item that finally leads him to this decision: he wants to kill you. He carefully crafts a plan, asking himself all the basic questions.
What? A plan to kill you.
Minho has been holding back his rage, but it keeps mounting and mounting. He believes that ending your life will release it all, finally bringing him peace. He thinks of it as a purge, sending you to your demise to purify his soul.
Who? It’s you.
You'll be the victim of his plan. His wife, the one he no longer wants to have and to hold from this day forward, for better or worse, for richer or poorer, in sickness and in health, to love and to cherish. But the ‘till death do us part’—he’ll gladly do that himself, with his own bare hands.
And it’s him who's going to kill you.
Minho considered hiring a contract killer—it would’ve been easy, and he could have kept his hands clean. But the little compassion he has left for you tells him this needs to be done personally, and in private. No one has to know the terrible things you've done to make him want to kill you.
As a husband, the least he can do is protect your dignity as his wife.
And as a killer, he’ll try to make it quick and painless.
When? This weekend.
Last night, before bed, he told you he wanted to spend the weekend together. You didn’t ask why, just agreed right away. You needed time away to memorize and practice your lines for the short film you’ll be starring in at the end of the month.
Minho has barely begun but his plan is already in motion.
-
Minho sees you lugging a duffel bag in one hand and your purse in the other. Without hesitation, he strides over to help.
“Let me take that,” he offers, snatching the duffel from your hand.
You flash him a smile and plant a quick kiss on his cheek. “Thanks, honey.”
While you settle into the car, Minho places your duffel in the trunk next to his own bag. He unzips his bag briefly to double-check the contents: all the tools he needs for the weekend—sharp, heavy, and metallic—gleam in the sunlight as it hits them. He zips it up and slams the trunk shut, ready for the three-hour drive ahead.
You, already comfortable in the passenger seat, put on your sunglasses and prop your feet against the dashboard. Flipping through the script in your lap, you chew gum obnoxiously, popping bubbles every few minutes, each burst louder than the last.
“There are snacks in the backseat,” Minho says, hoping to distract you from the gum.
You turn just enough to see the stash of chips, drinks, and bottles of wine. Supplies he bought for the weekend in the cabin. Without much interest, you go back to reading.
“I bought your favorite,” he tries again.
“I concentrate better when I’m chewing gum,” you respond flatly, flipping the page.
Minho grits his teeth but stays silent. You hear the scoff he doesn’t manage to suppress.
Dropping your feet to the floor, you snap the script closed, marking your place with a finger. Turning toward him slightly, you say, “It’s scientifically proven that chewing gum improves concentration in visual memory tasks. Surprised you didn’t know that, being a doctor and all.”
Though you aren’t looking, he knows you're wearing that condescending smile, the one that implies you’re smarter than him. It’s a look he’s grown used to over the years, but today it grates more than ever.
Minho’s fingers tighten around the steering wheel. He fights the urge to jerk the wheel into a tree—just one hard turn would wipe that smug grin off your face. But no, that’s too messy and he’s not ready to blow his plan just yet.
He inhales deeply to steady his nerves. “What kind of movie are you working on this time?” he asks, pretending to show interest.
You raise a brow at his sudden curiosity but answer anyway. “It’s a thriller.”
“What’s it about?” Minho presses, not because he cares, but because he needs to keep you talking. Anything to shut you up about the gum.
“A girl gets kidnapped and held in a basement,” you explain briefly, scribbling notes in your script.
Minho forces himself to feign interest. "And what’s the catch?"
You plainly chuckle. "Like I’m going to spoil it for you."
"Because I probably won’t get to see it anyway," he retorts with a laugh, the irony not lost on him—after all, you won’t be around to finish it.
You sigh but eventually give in. "The girl tries to make her captor fall in love with her."
Minho holds back a laugh. He already knows it's going to be another bad movie. Lucky for you, he’ll be saving you from further embarrassment.
"Let me guess. You’re going to get naked again?" he asks, sneering.
Your deep, frustrated sigh is all the confirmation he needs. “So what if I am? It’s my body.”
He shrugs, eyes fixed on the road. “Sure, but haven’t you done it enough already? That’s like what… your fifth movie in a row?”
Your pencil scratches violently across the page. “Are you bored of my tits now?”
Minho stays silent, gripping the wheel tighter. Your next comment stings more than you know.
“Remember when you used to be obsessed with them? Oh, wait—when was the last time you even touched me?” You sneer, adding a little “tch” at the end of your sentence that makes his blood boil.
He once again pictures slamming on the brakes, imagining your pencil impaled your eye. But no. He breathes deeply and reminds himself that you’ll be gone soon enough.
“I need to pee,” you grumble, shifting in your seat.
“We’re almost there. Hold it,” he snaps, not caring about your discomfort.
“I'll pee in the car then,” you retort, already unbuttoning your jeans.
With an exasperated sigh, Minho jerks the car into a sudden U-turn, sending your head against the window. He pulls into a gas station, parking roughly by the entrance.
“Go ahead. Do your business.”
You storm out of the car, slamming the door behind you as you head inside. After a few minutes, Minho watches as you return from the restroom, only to stop and flirt with the cashier.
He taps the steering wheel impatiently, his eyes narrowing as he sees you and the cashier sharing a laugh. His patience runs thin, and before long, he exits the car, marching over to you.
"Let’s go," he growls, grabbing your hand.
You pull away, smirking. "Let him guess first."
"Guess what?"
The cashier laughs, clearly amused. "Trying to guess which movie I’ve seen her in," he explains.
You lean against the counter, offering the man a flirty smile. "I’ll give you a hint. It has something to do with the color blue."
Minho’s eyes darken, his anger bubbling beneath the surface, he knows exactly that you’re doing this just to annoy him.
The man’s face lights up as he gets the answer, "Blue Daisy!"
You clap softly and smile brightly, "That’s right! What did you think of my tits in that movie?"
The cashier falters, his smile faltering as he glances nervously at Minho. "Pardon?"
"Oh, come on. There's a scene where I take off my bathrobe," you tease, toying with the lighters on the counter.
"They’re... nice," the man replies and then looks away, clearly uncomfortable.
You sigh dramatically, glancing at Minho as you say, "Apparently, my husband doesn’t think so."
The cashier looks at Minho in disbelief. "You’re married?"
"Unfortunately, yes," you answer with a fake, sad smile.
Minho takes a deep breath, trying to keep his composure, he grabs you hand tighter and asks, "Are you done?"
You yank your hand away and brush past him, your shoulder grazing his as you head back to the car.
Just a few more hours, he reminds himself. Soon, it’ll all be over.
-
Now that you've known the who, the what and the when. The next question is where?
The cabin looms in the distance, nestled deep within the woods by the lake. As he gets out the car, Minho takes in the familiar sight—the water reflecting the afternoon sun, the towering trees surrounding the cabin, the peace and quiet. It’s secluded, far from the rest of the world.
You get out of the car and head straight for the trunk to collect your things.
"I’ll take the bags inside," Minho says, rushing over before you can lift the trunk lid, "Just grab the groceries from the backseat "
Shrugging, you open the back door and gather the bags of groceries, holding them against your chest. You don’t ask questions, not when you’ve been here so many times before. You punch in the code to retrieve the key from the safety box, opening the cabin door with ease.
Minho stands by the car for a moment, breathing in the last of the summer air before the season shifts. He pauses, scanning the quiet surroundings, appreciating how isolated it all feels.
No neighbors. No signal. Just the lake, the trees, and the silence.
It’s perfect.
-
Minho drags all of your things and his inside, then drops them in the living room. He’s greeted by the musty air of a cabin that hasn’t been lived in for over a month, and the dusty framed photos on top of the fireplace—his family, his parents, a childhood snapshot, and one of the two of you spending a week here for an extra honeymoon.
He remembers taking the picture with his phone, the two of you looking so happy lying in the hammock together, your heads resting against each other. Your hair was still its natural color back then, before you bleached it for the movie role.
What he doesn’t remember is how in love he was—why he decided to marry you. His eyes, once filled with affection, now only see hatred and resentment, two black orbs filled with void.
The sound of rustling plastic snaps him out of his thoughts, and his gaze shifts to your figure in the kitchen, tossing expired food into a trash bag.
Before you can notice, Minho silently takes the small duffel bag into the basement, placing it next to the cupboard where the hunting rifles are stored.
When he returns, you’re still in the kitchen, unpacking groceries. He gathers the remaining bags to take upstairs, but as his foot lands on the first step, you call for him.
“Are you going to cook dinner?” you ask, filling a pitcher with tap water.
“Yes. I’ll be back in a few minutes,” he replies without looking.
Minho drops everything in the corner of the bedroom, noticing your makeup bag already by the sink in the bathroom. He changes his clothes quickly before heading back downstairs to cook, just like he promised. He starts preparing dinner, laying out the ingredients on the counter. While seasoning the tenderloins with salt and pepper, he watches you chop vegetables at the other end.
“You have to cut them thinner,” he says.
“What difference does it make?” you mutter, ignoring him.
Minho carefully lays the tenderloins on the hot pan, the meat sizzling as it hits the metal. “Watch the meat,” he says, swapping tasks with you and taking over the vegetable chopping.
He notices you eye roll as you reluctantly take his place by the stove. After a while, you attempt to flip the steaks and he quickly stops you.
“It’s not ready yet!” he snaps.
You immediately throw your hands up in defeat while still holding the wooden spatula in one, “You know what? I’ll just wait at the table, drinking wine,” you say, this time making no effort to hide your eye roll.
Since the sun hasn’t fully set yet, you suggest dining on the back patio, where the sunset offers its best view, even though the air is getting cooler.
It’s always been like this—sitting far apart, the space between you thick with dead air. You both eat in silence, sipping your wine.
Minho remembers that tonight possibly will be your last so he decides to start a conversation.
“How’s the script going?” he asks, wiping the sauce off his plate with the last piece of meat.
“Going well,” you reply curtly, licking your lips.
Minho leans back in his chair. “Who’s that guy… the one helping with your acting?”
You pull your jacket tighter against the cool wind. “Ryan?”
“Yeah, him,” Minho says, taking a sip of his wine. “You’re not working with him for your next role?”
“He’s busy with other things,” you answer, tucking your hair behind your ear.
Minho stabs a piece of carrot with his fork. “So, you’re not the only one he’s… working with?”
You stop eating abruptly and look at him, “Pardon?”
“He’s working with other actors too, right?”
“Well, yeah, it’s his job,” you reply, more casually this time.
As the last rays of sunlight hit you, casting a golden glow like a halo, Minho feels a pang of something. Sadness, maybe. He’s certain it’ll be the last time he sees you on this light so he takes it all in.
Soon, you catch him staring. “What are you looking at?”
“You,” he simply answers with a cryptic smile.
Your eyes meet for a moment and Minho searches for something in your gaze, some lingering emotion, but the gaze doesn't last long enough for him to know for sure as you look away.
After dinner, you both sit in the living room, playing a quiet game of chess. The ticking of the old clock fills the silence as Minho watches you fall into the trap he’s set. It’s ironically fitting, like you’re handing him your life, allowing him to end it with a simple move of the black knight.
“I won,” he says, a faint smile of triumph on his lips.
You don’t respond but instead, draining your wine in one gulp. “I’m tired,” you sigh.
As Minho packs away the chess pieces, he throws a smug comment your way. “You always get tired when you lose.”
You ignore him, heading to the kitchen to leave your glass in the sink and head upstairs.
Once you're out of sight, Minho makes another trip to the basement, unlocking the cupboard with the hidden key. Inside, he finds the hunting rifle. It’s been a while, but he still remembers how to use it.
Loading two shells into the chamber, he clicks it shut and for a second, he feels tempted to fire a shot just for the thrill, but that would ruin the surprise so he tucks the rifle back into the cupboard and turns off the lights as he heads upstairs.
When he gets to the bedroom, the bed is empty. He hears the water running—you're probably halfway through your skincare routine. He changes into sleepwear and lies down, charging his phone even though the reception is useless here.
The rustling of leaves outside is the only sound he's hearing until Minho begins to drift off. Just then, he feels a kiss on his cheek.
His eyes flutter open, and he finds you leaning over him, your lips brushing against his. The kiss is long and lingering, your hand gently cradling his face.
When you pull back, you smile softly. “Goodnight, honey.”
For a moment, Minho says nothing, watching as you turn and lie down, your back to him. A strange feeling twists in his chest—a hesitation he hasn’t felt in a long time. The kiss... something about it felt different.
He shifts slightly, his brow furrowing as suspicion creeps in. Was it genuine, or was it part of your own plan? For a second, he wavers, doubt gnawing at the edges of his resolve. Could you really be so oblivious to what’s coming? Or are you hiding something, just like him? He clenches his jaw, forcing the thought away.
It’s too late for second-guessing now. Still, as he stares at your back, he can’t shake the lingering sense that maybe, just maybe, you're not as unsuspecting as you seem.
-
The next day, the cabin is flooded with golden rays as the sun rises high in the sky. Minho stands by the kitchen window, washing the breakfast dishes, his eyes following you as you sway gently in the hammock, engrossed in your script.
He finishes quickly and heads to the back door, pausing in the doorway as he calls your name.
You turn your head slightly. “What?”
“I’m going for a walk around the lake. You coming?” he asks, though he already knows the answer. It’s just for show, a part of the performance, to keep suspicion at bay.
“No, thank you,” you reply, turning your attention back to the script.
Perfect. It’s exactly the answer he wanted. Everything is going according to plan.
As he steps outside, Minho's eyes dart back toward the hammock, checking to see if you’re watching. From a distance, he can still see the top of your head peeking over the edge, unmoving. Satisfied, he walks toward the shed, retrieving a small bag before starting his trek around the lake.
As he jogs along the edge of the water, he scans the ground for the right kind of rock—one heavy enough for what he needs. He finds it near the water’s edge, half-covered in moss. It’s heavier than he expected, and he has to flip it over with his foot before using both hands to hoist it into the bag.
His eyes drift back to the cabin, paranoid that you might somehow be following him. But no, you’re still in the hammock, or at least it seems that way.
He drags the bag back to the shed and hides it behind a stack of old tires. Everything is in place. Just one more thing to prepare—but he realizes he forgot his car keys.
The whole morning slips by as he meticulously works on his plan and by the time he returns to the house, the hammock is empty, swaying lightly in the breeze. Your script book is left behind, pages fluttering in the wind.
Minho’s chest tightens with unease. He steps cautiously toward the front door, his senses heightened. “Honey?” he calls out, but there’s no reply.
He steps inside, the air thick with tension. “Honey?” he repeats, louder this time, his voice echoing in the silence.
In the kitchen, he spots you standing behind the island, your back to him.
“Honey?” he says again, his tone more uncertain now.
You turn slowly, and that’s when he sees it—the gleam of a knife in your hand. The blade catches the light, sending a sharp reflection into his eyes.
A jolt of panic surges through him. His plan was flawless. But somehow, he hadn’t accounted for this—the possibility that you knew. And if you knew, he was already doomed.
He swallows hard, trying to think of something to say. “What are you doing?”
Without a word, you turn back to the counter, your hands moving in a way he can’t fully see. He takes a cautious step back, bracing himself for a sudden attack.
But instead, you turn around holding a head of lettuce. “I’m making sandwiches for lunch,” you say innocently, setting the vegetable down on the chopping board with a loud thud.
Relief floods through him, and he lets out a low breath, clearing his throat to mask his moment of weakness. “Sounds good,” he comments, though his voice lacks conviction.
You calmly slice the lettuce, your knife moving with unsettling precision. “Were you looking for me?”
The question jolts him, reminding him of his real purpose. “Uh… yeah, I was looking for my car keys,” he says quickly, scrambling for an excuse. “I left my charger in the glove box.”
You glance up from the chopping board, still holding the knife in one hand. “You can use mine. It’s upstairs by the bedside table.”
There’s something in your smile—a strange, almost sinister edge that makes his skin crawl. Like you know something he doesn’t.
“No, I’ll use mine. It’s more convenient,” he says, forcing a polite smile, though inside, every instinct tells him to leave. Now.
You hold his gaze for a moment too long before turning to the fridge. “It’s on the hook next to the boat keys,” you reply, slicing open a pack of bacon with a swift flick of the knife.
“Thanks,” he mutters, backing away.
He doesn’t waste another second. Grabbing the car keys, he heads for the door, but then you call his name, stopping him in his tracks. He turns, his heart thudding in his chest. You stand in the middle of the room, a strange smile playing on your lips.
“Yeah?” he asks, his voice tight.
“Lunch will be ready soon,” you say, still smiling that unsettling smile.
Minho nods, trying to shake off the eerie feeling that lingers. He hasn’t seen you smile this much in a long time, and it’s not even noon yet. It’s unnerving, like you’re doing it to make him feel guilty. Like you’re daring him to go through with his plan.
-
Minho decides to proceed with caution.
The little smile you gave him earlier is enough to put him on edge, so he takes a seat on the stool, eyes fixed on you as you meticulously prepare his sandwich. You slice it in half and place it in front of him. He doesn’t hesitate to eat it, knowing that he hasn’t taken his eyes off the process. This way, he’s sure you haven’t tampered with his lunch.
"Good?" you ask, watching him closely.
He chews, waiting for any signs of something off in his body, but nothing happens.
"It’s good," he replies, nodding.
You smile, then sip your orange juice, making a little gasp of satisfaction. "Orange juice?" you offer, holding up the pitcher.
"Sure," he says.
You get a clean glass from the cabinet, which checks off another one of his worries. He saw you drink from the same juice, and the glass is fresh. No reason to suspect anything, right? Maybe you’re still unaware, and things are still going according to his plan.
"You’re not eating?" he asks, testing the waters.
You finish your glass and shake your head. "I’m still full from the smoothie I had earlier."
You walk over, placing a hand on his shoulder, then gliding it to the back of his neck, massaging gently. "I’m going to take a long bath," you say, smiling down at him.
"Okay," he mutters, looking up.
You lean down, brushing your lips against his in a brief kiss. "Enjoy your lunch."
This is the perfect opportunity.
Minho only manages to finish half of the sandwich before draining his glass of orange juice, feeling a bit parched from all the work he’s been doing since the morning. He heads down to the basement, ripping open a bag full of tools. He picks the hammer, gripping it tightly in his right hand.
As he makes his way upstairs, he marvels at how smoothly everything is going. If he manages to bash your head in the bathroom, he doesn't need to worry about the mess. The only challenge is getting your body downstairs, but that’s a problem for after.
Right now, all he has to do is get in there and deliver the fatal blow.
But as he climbs the final stairs, his vision blurs, and his limbs grow heavy. He tries to shake it off, widening his eyes and slapping his cheek to wake himself up. It must be the adrenaline, right? That’s why he feels so lightheaded.
He reaches the bathroom, hearing the water running and your soft humming. The door is left ajar, steam wafting out. Minho peeks in and sees you sitting on the edge of the tub, still in your bathrobe, one side slipping off your shoulder.
Slowly, he pushes the door open just enough to slip inside. The sink is cluttered with your things—makeup, a toothbrush, and what he assumes is some spilled powder from your makeup routine.
Confident you can’t see him through the fogged mirror, he raises the hammer above his head, ready to strike. Suddenly, his legs give out, and he stumbles backward, the hammer slipping from his grasp, then clatters to the floor.
You whip your head around, startled, and see him crumpling against the bathroom wall. Squatting down in front of him, you say softly, "Honey?"
Minho fights to open his eyes, but his body is shutting down against his will. "I’m—I…" he stammers.
You lean in, your forehead resting gently against his as you sigh. "Shh… it’s okay," you murmur, stroking his hair.
With one hand cupping his face, you look into his eyes, a sinister glint now replacing the warmth. "Just go to sleep," you say softly, your voice almost soothing.
Minho’s vision starts to fade, but he sees it in your eyes. You did this. "You—"
Before he can finish, everything goes black.
-
The sound of a knife scraping against the surface of a plate jolts Minho awake in the worst possible way.
Disoriented, he squints his eyes and realizes he's downstairs, seated at the dining table. You're sitting across from him, chewing on a piece of meat with a soft groan.
"I think I flipped it too early again," you mumble, dabbing your mouth with a napkin.
You look up from your food and gasp when you notice he's awake, "Honey!"
Grabbing the bottle of wine, you pour it into his glass, the intoxicating scent of it filling the room. "I'm sorry I started dinner without you."
Minho tries to move his hands but can't. He glances down to find them tied to the chair.
"Ah! Let me help you with that," you say, standing beside him as you unfold a napkin and spread it over his lap. You kiss him on the cheek, wiping away the lipstick mark with your thumb after.
"How was your nap?" You ask once you're settled back to your seat.
Minho glares, his nostrils flaring with the rage boiling inside him. He curses himself for letting his guard down, for believing things were going his way when they never did. Shaking the fog from his head, he focuses on you.
"Sleeping pills, huh?" His voice drips with disdain, realizing too late that the white powder he'd seen earlier wasn’t makeup—it was the remnants of crushed sleeping pills.
You don't answer, just sip your wine with a satisfied smile.
Minho scoffs, tossing his head back. "How clever!"
Refilling your glass, you raise an eyebrow. "What?"
"It wasn't the sandwich, not the juice..." He lets out a bitter laugh. "It was the glass."
You clink your wine glass against his with a smirk. "Almost got caught there, didn’t I?"
"So, you know," he mutters.
You set your glass down and rest your hands on the table, an innocent grin spreading across your face. "Know what?"
Minho’s dark eyes remain fixed on you, simmering with fury.
"I'll let you have your dinner later," you say, pushing his untouched plate to the side, clearing the center of the table.
You retrieve something from the chair beside you—a hammer. The same hammer he’d planned to use on you. You place it on the table between you both.
"Are you asking if I knew you were going to use this to smash my head in?"
Minho’s gaze flickers between the hammer and you.
You chuckle mockingly, hand pressed against your chest. "Thank God the pills kicked in just in time!"
Though not surprised, Minho wonders if you’ve uncovered his entire plan. As if reading his mind, you bend down and drag a duffel bag onto the table with a loud thud.
"Or are you asking if I knew about this?" you ask, emptying the contents—rope, duct tape, a blade, a wrench, a saw, and an axe—spreading them across the table like hardware on display.
Sitting back down, you examine the tools with a smile. "You’re thorough, I’ll give you that."
"You know I never do things half-heartedly," he replies, voice laced with sarcasm.
Your laughter echoes around the room. "And look what I found," you say, lifting his hunting rifle, pointing it directly at him with your finger hovers dangerously close to the trigger. "It’s loaded."
Minho’s calm exterior falters. He knows all too well that he loaded that rifle himself. How fitting it would be for him to die by his own hand.
"BANG!" You shout, trying to startle him, but he doesn't flinch.
Your laughter fades as you lower the rifle, setting it aside. You cross your arms, eyes studying him intently and he can sense the curiosity swirling in your mind.
"Go ahead," he taunts, leaning forward as much as he can. "Ask your question."
You trace the rim of your wine glass with your finger. "So, that's the plan? To kill me?"
He tilts his head, eyes burning with intensity. "Yes."
"Let's say you manage to knock me out with the hammer..." You cut a piece of meat and continue eating. "What happens next?"
Minho stays silent, watching as you play this little guessing game.
You raise a hand before he can speak. "Wait, wait, wait, let me guess."
You chew faster, sipping your wine between thoughts and begin guessing his whole plan. "You wouldn’t kill me with the hammer—too messy. Too much work. And definitely not upstairs. It would be a hassle dragging my body down."
You glance at the ropes on the table and continue, "You’d tie me up once I was unconscious. Then, once secured, you’d get to work."
Your hand hovers over the tools spread on the table. "As for the weapon of choice..." You pick up the blade, testing its sharp edge with a playful gasp. "Ouch. This would’ve made it fun for you."
Minho’s lips twitch into a small, sinister smile.
"But no," you continue, setting the blade down and then you point at the rifle. "You’d use this. Quick. Easy."
"Exactly," he admits, slightly impressed by how well you know him.
Your eyes drift toward the saw next as you continue talking. "And the saws... well, those would be for afterward. To dismember me, right? You’d chop me into little pieces and dump me in the lake."
Minho raises an eyebrow, impressed. You got most of it right. The how.
"Did I guess correctly?" you ask, tilting your head.
He nods slowly in approval. "I’d applaud, but..." he glances at his tied hands.
You clink your glass with his. "See? I’ve learned a lot in our marriage."
As you sip your wine, he asks the one question still lingering in the space between. "Aren’t you going to ask why?"
You pause mid-sip, placing your glass down before pulling a handgun from your bag.
Minho’s breath catches in his throat. You want him dead just as much as he wants you gone.
"Because we hate each other enough to kill," you say, placing the gun next to your plate. But you rummage in your bag again and pull out a letter—divorce papers. Sliding them toward him, you add, "Or, we could avoid the drama. Sign this, and I’m gone. Forever."
Without hesitation, Minho shakes his head. Strongly refuses to do it any other way.
"Why not?" you ask, brows furrowed.
"I need to kill you," he says, voice unwavering.
You burst out laughing. "You hold that many grudges, huh?"
He doesn’t answer. His silence speaks volumes.
Sighing, you try to reason again. "I’ll disappear. You won’t even know I exist."
Minho leans forward, his voice a low growl. "I have to be the one to do it."
You shiver despite yourself. His intensity is chilling, but you remind yourself that he’s tied up, unable to do anything.
"You're a doctor, Minho. You know you're supposed to save life not—"
"I have to kill you," he cuts you off, nostrils flaring, eyes burning with determination.
Realizing there's no convincing him, you slide the gun back into your bag and put it on your lap. "I don't care if you sign the papers or not."
You take your wedding ring off and put it on top of the papers, making a bold statement. You stand, walking to his chair and then leaning close to plant a soft kiss on his cheek.
"Good luck with everything," you whisper, knowing those words will provoke him further.
As you head for the door, bag slung over your shoulder, he calls after you. His voice echoing against the eerie silence.
"I’ll find you... and I’ll kill you," he screams as he fights his way out of the bind. "Do you fucking hear me?"
As you set one foot out of the door, Minho screams one last time, "IF I CAN’T HAVE YOU, NO ONE CAN!"
You break into a run toward the car and with your heart pounding, you shove the key into the ignition and twist it, the car sputtering to life. Relief floods your body for a moment as the engine hums beneath you, and you slam your foot on the gas.
The car lurches forward, gravel crunching under the tires as you speed away from the cabin. But the relief is short-lived.
After just a few yards, the engine sputters and dies. Panic grips you as the car slows to a stop, and your hands tremble as you frantically try to restart it. You twist the key over and over, forcing the ignition, but the engine won’t turn over.
“Come on… come on!” you mutter desperately, glancing into the rearview mirror, afraid that Minho somehow break away and chase after you.
You continue to restart the car engine but it still won't turn on, you slam your hands on the steering wheel out of frustration and reorganize your breath to let your brain able to work.
With your brain is well oxygenated, you start checking the car and that's when you see the gas gauge and the needle points to the E. Fuck! Minho must have drained the tank empty.
"Fuck! Fuck! Fuck!" You continuously scream in dread now but the real dread is glancing through rearview mirror and see the cabin door is open.
That’s when you see him.
Minho is storming out of the cabin, rifle in hand, his face a mask of cold determination. Your blood turns to ice. He’s coming for you, and you have no time.
"Shit!" you curse under your breath, your breath quickening. Abandoning the car, you fling the door open and bolt into the woods, legs trembling as you stumble over roots and uneven ground.
The sound of the rifle cracks through the air. You gasp, ducking as the bullet strikes a tree near you, splintering bark and sending shrapnel flying. Your heart nearly stops.
You pick up the pace, adrenaline coursing through your veins, but the forest floor is unforgiving. Your foot catches on something—a root, a rock, you don't know—and you crash to the ground with a hard thud, pain shooting through your body.
Before you can scramble back to your feet, Minho is already there. His heavy footsteps pound against the earth as he catches up, his presence looming over you. You try to crawl away, your muscles screaming, but his hands grab you from behind, yanking you around with brutal force.
“Got you,” he growls, his voice cold and menacing.
You barely have time to scream before his hands are wrapped around your neck, squeezing with a vicious intent. Your hands fly to his wrists, clawing and yanking at them, but he's too strong.
"Don’t worry, honey. I'm not going to kill you just yet."
He tightens his grip, cutting off your air supply. Panic floods your body as your vision begins to blur, your strength draining away with each passing second.
"I'm just going to stop the blood flow to the brain through constriction of the carotid arteries and..."
You kick, aimlessly hitting him, your movements growing weaker as the world around you starts to fade.
Minho’s face is the last thing you see before the darkness consumes you entirely.
-
A gasp escapes your lips as you regain consciousness, immediately followed by a coughing fit.
Disoriented and lightheaded, you try to sit up, only to realize your hands and feet are bound to the bed. The ropes burn against your skin as you thrash in place, but you’re held fast. Helplessly stuck, you let out a loud scream, frustration boiling over as your cries for help go unanswered.
"Is that the best you can do?"
Your head snaps to the side, eyes wide, to see Minho leering at you from across the room.
He’s rummaging through a duffel bag, calm as ever, his dark eyes glinting with malice. You try to speak, but your throat is dry, and only a rough cough escapes your lips.
Minho pulls something from his bag—a small, rectangular box. It looks like a jewelry box, but the careful way he places it beside your body tells you it contains something far from precious.
He stands at the foot of the bed, staring down at you with a mocking grin. "Comfortable?"
Your fury flares. You swallow hard, forcing your voice to work. "You should have told me you were into bondage," you sneer, eyes narrowing.
His laugh is deep, amused by your defiance. Without warning, he climbs onto the bed and sits between your open legs, his gaze locked with yours, making it impossible to escape his predatory stare. "Let’s make you even more comfortable," he says, a sinister smile creeping across his face.
With deliberate slowness, he reaches into the back pocket of his jeans and pulls out a pair of scissors. He places them on the bed next to the mysterious box, letting you get a good look, as if daring you to figure out his next move.
A slow sigh escapes his lips as his hand reaches for your face, fingers slipping into your hair. For a moment, you think he’s going to cut it, but instead, he brushes your damp hair to the side and he also wipes the sweat from your neck with the back of his hand.
"It’s hot, yeah?" he murmurs.
"Isn’t that why you married me? Because I’m hot," you bite back, glaring at him with all the hatred you can muster.
Minho laughs again, this time brushing more strands of hair away from your sweaty forehead. "A part of it, yeah," he shamelessly admits.
"What about the rest of it?" you ask, surprising yourself with your curiosity. You’ve never asked him that before; romance was never a part of your relationship.
Nothing about your marriage was romantic, not even from the start. One day, he asked you to marry him, and you said yes. No questions, no love stories. Just a quiet agreement. But over time, things soured, leading to this moment of bitter hostility.
"Do you really want to know?" Minho asks, his face hovering dangerously close to yours, his hand resting beside your head on the mattress.
"You’re going to kill me anyway, so why not?" you reply, a daring smile playing on your lips.
For a long moment, he simply stares at you, his knuckle lightly tracing the curve of your face. His eyes darken, as if he’s about to reveal something, but then he pulls away abruptly.
"You always make me forget what I’m about to do," he says, picking up the scissors again.
Your heart rate slows as he holds the scissors, doing nothing but staring at them, lost in thought. His eyes flicker to you, then to your chest, where he presses the flat edge of the scissors. You can feel the cold metal through your clothes, making the weight of the moment unbearable.
You believe his final weapon of choice is inside the box so the sight of the scissors doesn’t scare you. You suspect he’s just toying with you, testing your fear.
Suddenly, Minho drags the scissors up your chest until they reach the base of your throat. The metal’s coldness makes you instinctively gulp, your breath hitching in your throat. But you refuse to break. Your gaze meets his, unwavering, even though you know exactly what he intends to do.
Unexpectedly, Minho laughs again, pulling the scissors away from your throat. "This is why I married you," he says, placing a hand on your chest, feeling the steady beat of your heart.
"You’re so calm," he muses, dragging the scissors lower, stopping at your thigh. He slides the hem of your dress between the blades. "Way too calm."
In one swift motion, he cuts through the fabric of your dress, the blades slicing up to your chest in one clean stroke. You stop breathing for a second, the fear catching up to you, but you don’t let it show.
"And for a while, I was grateful to have you as a wife," he says coldly.
He moves the scissors to the side, cutting through the sleeves of your dress, leaving you in nothing but your damp underwear. You can’t tell if the sweat is from the stifling heat or the tension building inside you.
"But nothing good lasts, right?" he says, tossing the scissors and the torn dress to the floor.
Your heart skips a beat as his fingers ghost over your bare stomach, barely touching, but sending a shiver through your body.
"I’ll give you a chance to admit it yourself," he whispers, squeezing your hip.
You know exactly what he’s talking about, but you refuse to give in. You won’t hand him that satisfaction. "I have nothing to say to you."
Minho expected that response. He’s always loved your rebellious streak. With a shrug, he turns to the mysterious box beside you. He picks it up, opens it, and without showing you the contents, he says, "Maybe this will help carve the truth out of you."
Your heart races with anticipation, both curious and terrified. His eyes sparkle as he pulls the object from the box like a prized possession.
It’s a scalpel.
Not just any scalpel—a tool Minho is all too familiar with. He’s been using it for years in his line of work as a doctor, his hand accustomed to it, it's technically a part of his hand.
You let out a dark, low laugh, impressed by his choice of weapon. Not letting the fear take over you and give him the satisfaction.
"You think this is funny?" He asks, his voice low and dangerous, the scalpel gleaming in the dim light. His eyes narrow as he watches you closely, waiting for a reaction.
You suppress another laugh, trying to keep your voice steady despite the fear coursing through you. "I guess I always knew you'd find a way to cut me out of your life, but this is a little dramatic, don't you think?" You flash a bitter smile, masking the terror rising in your throat.
Minho’s lips curl into a slow, sinister smile. "Oh, this isn’t about cutting you out. Not yet, at least." He leans in closer, his breath hot against your skin as the scalpel hovers near your collarbone. The cold metal grazes your skin, a teasing pressure that sends a shiver down your spine.
You pull at the ropes again, frustration and helplessness bubbling to the surface. Your skin stings from the friction, but you know it’s useless. He tied the knots too well. Still, you refuse to show fear.
"You really think this will make me tell you what you want to hear?" Your voice is hoarse, but there’s defiance in your tone.
Minho chuckles darkly, sliding the scalpel down the center of your chest, just grazing your skin enough to leave a faint trail without cutting. His eyes follow the path of the blade with eerie calmness.
"You’re tougher than I expected. I like that." His gaze locks onto yours again, and there’s a chilling coldness in his eyes that makes your blood run cold. "But everyone has their breaking point."
He drags the scalpel lower, letting it dance across your stomach, teasing the edge of your hip. You can’t help the sharp intake of breath as the blade comes dangerously close to cutting through your skin. Every muscle in your body tenses, waiting for the inevitable pain.
"You’re hiding something," he says, his voice a near-whisper now, filled with a quiet intensity. "You’ve always been so calm, so composed. It made me wonder, what are you hiding beneath that exterior? What is it you think I don’t know?"
He pauses, his fingers tracing the path of the scalpel with a feather-light touch, as if he’s savoring this moment. His eyes glitter with amusement as he watches your face, waiting for the fear to slip through your mask.
"You don’t scare me," you say, though the waver in your voice betrays you.
Minho’s grin widens, and he brings the scalpel up to your throat, just pressing the flat of the blade against your skin, reminding you of how sharp it is. "Maybe not yet," he replies. "But that will change."
His hand moves slowly, deliberately, the scalpel brushing your skin as he leans closer, his breath hot against your ear. "I’m going to carve out every lie you’ve ever told me, every secret you’ve hidden."
The scalpel flicks across your skin, leaving a shallow scratch, just enough to sting. "Let’s start with why you tried to run," he says, his voice a dangerous whisper.
The blade trails down your chest again, teasing but not yet cutting deep enough to cause real pain. "You’ve been planning this, haven’t you? Just waiting for the right moment to escape."
Your mind races, trying to stay ahead of him, but his control over the situation is suffocating. "What makes you think I’ve been planning anything?" you manage to ask, though the tremble in your voice betrays the fear creeping into your chest.
Minho smirks, enjoying the game. "Because I know you," he murmurs. "I’ve watched you. You think I didn’t notice the way you’ve been distancing yourself? The way you look at me like you’re just waiting for me to make a mistake."
He presses the scalpel a little harder against your skin, and you wince. "I’m not going to let you slip away so easily," he says, his voice dripping with menace. "So why don’t you save us both some time and tell me what you’ve been hiding?"
You grit your teeth, refusing to give him the satisfaction of a confession. "I have nothing to hide from you," you say, though every instinct in your body is screaming that he’s already too close to the truth.
Minho’s expression darkens. He moves the scalpel down again, this time slicing through the thin fabric of your underwear. You flinch as the cold air hits your bare skin, but you refuse to give him the reaction he’s looking for.
"Last chance," he warns, the scalpel glinting in the dim light. "Why Ryan?"
So this is the why.
Your heart stutters, your body stiffening at the mention of the name. Of course, he knows. He’s always known. But now, it’s out in the open, and there's nowhere to hide. You swallow hard, forcing yourself to stay composed even as the truth hangs dangerously between you.
Minho shifts, bringing the scalpel up to your throat again, applying just enough pressure for you to feel it, the sharp edge threatening to break skin.
"You really thought I wouldn’t find out, didn’t you?" His tone is calm, but the anger simmering beneath the surface is palpable. "You thought you could sneak around, play your little games with him, and I’d be none the wiser."
Your throat tightens, and you struggle to breathe through the panic rising in your chest.
He presses the blade down, just enough to make your pulse quicken. "Why him?" Minho asks again, his voice quieter, almost a whisper now. "Why Ryan?"
"I—" you start, but your voice cracks, your throat dry. You don’t even know what to say, how to explain something that’s so tangled in layers of resentment, anger, and escape. Instead, you try to hold on to the composure you’ve managed to keep for this long. "It wasn’t—"
Minho cuts you off with a bitter laugh, pulling the scalpel back but keeping it poised, ready. "Don’t bother lying," he says, his eyes dark with fury. "I already know everything. I just want to hear it from you."
He sits back slightly, still straddling you, his eyes locked on yours with a kind of chilling intensity. The blade dances over your skin, teasing but not yet cutting.
"Why?" he asks again, softer this time. "What did you think Ryan could give you that I couldn’t?"
Your mind races, heart pounding. You don’t want to give him the satisfaction of your truth, but there’s no way out. His patience is wearing thin, and you can see it in the way his grip tightens on the scalpel, his jaw clenching as he waits for your answer.
"It wasn’t about him," you finally admit, your voice barely above a whisper. You don’t know if this will calm him or enrage him further, but it’s all you can offer. "It was never about him."
He tilts his head, watching you closely. "Then what was it about, huh?" His voice sharpens, cutting through the air like the blade in his hand.
You flinch at the venom in his words, but you force yourself to hold his gaze. "You don’t understand," you say quietly, tears prickling at the edges of your eyes despite your best efforts to stay strong.
Minho’s face hardens, and he slides the scalpel down your body, stopping just above your abdomen, his fingers tracing the line of your skin with a maddening slowness. "Then make me understand." His voice is dangerous, low and threatening.
His grip on your throat tightens, and the blade slides down to your chest again, this time pressing harder, enough to draw a thin line of blood. You gasp, the sting sharp and sudden.
Minho watches the blood bead up, a twisted smile playing on his lips. "I said make me understand why you betrayed me."
Before you can utter a word, the door to the cabin bursts open. Ryan stands in the doorway, his face a mix of shock and fury as he takes in the scene—the scalpel pressed dangerously close to your throat, Minho’s body straddling yours, and the faint line of blood on your chest.
“What the hell are you doing?!” Ryan’s voice echoes through the cabin, and in a blur, he charges at Minho.
Minho barely has time to react before Ryan slams into him, knocking him off of you. The scalpel clatters to the floor as Minho is thrown back, struggling to regain his balance. Ryan swings a hard punch, landing square on Minho’s jaw, sending him stumbling backward. You scramble up from the floor, gasping for air, as the two men break into a full-on fight.
Ryan manages another punch, harder this time, knocking Minho to the ground. Minho’s body slumps for a moment, and Ryan quickly grabs the scissors lying on the bed, cutting the ropes free from your hands and feet. He helps you get up and grabs your arm, pulling you toward the stairs.
“Come on,” he urges, his voice low and frantic. “We have to go—now.”
You follow him downstairs, still in shock, the adrenaline pumping through your veins as he grabs his jacket and drapes it over your shoulders.
“I came as fast as I could when I got your message,” he says, his eyes scanning your face, full of concern. “Are you okay? Did he—”
But before he can finish, there’s a sound behind you—a violent thud. You both turn just in time to see Minho launching himself at Ryan from the top of the stairs.
Minho slams into him with terrifying force, sending the two men crashing to the floor in a violent heap. They grapple, fists flying, legs kicking, as they roll across the floor, locked in a brutal fight for dominance.
Ryan struggles beneath Minho’s weight, his eyes locking on the rifle resting against the wall near the sofa. He looks at you, desperation in his gaze, and subtly gestures toward it.
"The gun," he pants between blows. "Shoot him. Now!"
Your heart pounds in your chest as you rush to grab the rifle. Your hands shake as you lift it, your finger sliding onto the trigger. The weight of the weapon feels surreal in your hands, the cold steel pressing against your skin as you aim it at Minho, who is now pinning Ryan to the ground. The two men are still wrestling, but you have a clear shot.
“Do it!” Ryan yells, gasping for breath as Minho’s hands tighten around his throat.
Tears blur your vision, your breath coming in ragged sobs as you hold the rifle steady. Minho’s eyes catch yours, wild and unrelenting, and in that split second, everything seems to freeze. Your finger starts to push down on the trigger, your mind spinning with the weight of the decision.
“Why?” you scream at Minho, your voice breaking with emotion. "Why did you ever doubt me? Why couldn’t you trust that I loved you?"
Minho’s gaze softens for a fraction of a second, his grip loosening ever so slightly on Ryan’s throat. “You call this love?” he spits back, his voice hoarse but filled with pain.
Your finger trembles, hovering on the trigger, and you’re on the verge of pulling it—when something inside you snaps. In one swift motion, you shift your aim, your heart thudding painfully in your chest.
The gun goes off.
The shot rings out, echoing through the cabin as the bullet rips through the air—and buries itself in Ryan’s skull, right between his eyes. His body goes limp instantly, his hands falling away from Minho as he collapses to the floor, lifeless.
You drop the rifle, your whole body trembling, tears streaming down your face. You can’t stop sobbing, can’t even catch your breath as you take a shaky step toward him and ask, “Is that enough to show how much I love you?”
-
The silence that follows is deafening.
Minho looks at you, his chest heaving, covered in Ryan’s blood, shock registering in his eyes. After a moment, he gets up from the floor, calm and composed, as if the violent act that just transpired hadn't fazed him at all. He walks over to you without a word, his footsteps barely audible in the heavy silence.
From the dining table, he picks up a napkin, its soft fabric starkly contrasting with the blood staining your trembling hands. Gently, he wipes the blood droplets away, his touch careful, almost delicate.
“I cheated on you because—” your voice breaks as the words leave your lips, trembling under the weight of your sobs. “Because I wanted to know if you still care.”
Minho doesn’t respond, but his silence speaks volumes. You watch as he moves across the room, grabbing a jacket from the coat rack. He replaces Ryan’s jacket—the one draped loosely over your shoulders—with his own. His movements are methodical, yet somehow tender, like he’s dressing you for something far more intimate than this horrific moment. You stand frozen, the tears streaming down your face, helpless in your grief and confusion.
“I thought you didn’t love me anymore,” you choke out, your voice barely above a whisper, the sobs making your chest heave.
Minho zips up the jacket, making sure it fits snugly around you, before pulling you close. For the first time in what feels like an eternity, his lips meet yours in a tender kiss, one that reminds you of the warmth you used to find in him. Even with his blood-streaked face, you can see that familiar, intense gaze—the warmth you had longed for finally returning to his eyes.
“I love you,” he murmurs, his hand cradling your face with a kind of reverence, “and if I can’t have you, no one can.”
His lips crash against yours again, this time harder, deeper, and with a hunger that ignites something dangerous inside you. His voice, dripping with possessiveness, makes your heart pound in a way that both terrifies and excites you.
“You’re mine,” he says, the words claiming you with an unyielding finality.
And it’s that very possessiveness that pulls you deeper into him. It’s why you married him in the first place—because Minho doesn’t just love; he consumes. His love is fierce, intense, teetering on the edge of madness, and you wouldn’t want it any other way. You crave it, need it, and right now, it feels like it’s the only thing grounding you in this twisted reality.
“I’m yours,” you whisper, nodding as if you’re sealing your fate with those words.
The two of you kiss again, and this time, it feels like everything is falling back into place, like the chaotic balance of your marriage has been restored. The blood, the violence, the madness—it all shifts back to where it belongs, the perfect equilibrium of your dark, twisted love.
For a moment, the chaos of what you’ve done slips away, and you both stand in eerie stillness, as if nothing happened.
However, the sight of the body lying lifeless on the floor snaps you back to reality.
Minho silently moves to pick up Ryan’s jacket, using it to cover the gaping wound on his head, though the blood has already soaked into the rug. Without a word, he starts dragging the body onto the rug, and you, numb and dazed, help him. Together, you roll the body into it, cocooning Ryan in the bloodstained fabric.
"Go get the body bag from the basement," Minho tells you, his voice cold and devoid of any emotion.
Your legs feel heavy as you make your way down to the basement, retrieving the thick, black bag. The two of you struggle to maneuver Ryan’s body into it, your hands slipping on the slick fabric as you zip it up.
The weight of what you’ve done sinks in deeper with each passing second, but you push it aside, focusing on the task at hand. Together, you drag the body outside into the dark night. The only sounds are the rhythmic scrape of the bag against the ground and the low rustle of wind in the trees.
Minho busies himself with the boat, the mechanical hum of the engine cutting through the stillness. You clamber onto the boat, watching him as he grabs the large rock he collected earlier—the weight that will ensure the body stays submerged beneath the water, lost to the lake’s depths.
Once everything is set, he starts the boat, and it moves silently over the water, cutting through the eerie calm of the night. You sit in the cold air, the distant shore shrinking as he drives far enough from land.
Finally, he stops, and you both work in grim silence to lift the heavy body bag over the edge. The splash echoes in the darkness as it hits the water, and for a brief moment, the sound lingers, unsettling and hollow.
You and Minho stay there, eyes locked on the spot where the bag submerged, waiting, watching. The bubbles rise to the surface, swirling for a few moments before fading away into the night. The water smooths out, becoming calm once more, its surface reflecting the endless stretch of the night sky above.
Nothing comes back up. Only silence, only stillness.
-
With the body gone, there’s no time to waste.
Minho doesn’t say a word as he moves toward Ryan’s car, his movements swift and calculated. You watch as he wipes the door handles, steering wheel, and gear shift clean of fingerprints before driving it to the edge of the river.
The car slowly inches forward, and as it begins to roll into the water, you stand at a distance, watching the lake swallow it whole, the final glint of metal disappearing beneath the surface. The water ripples for a moment before settling back into silence, leaving no trace of the vehicle behind.
You head back to the cabin to tackle your part. The living room feels eerily quiet, haunted by the chaos that took place just hours ago. You move quickly, gathering the objects that were stained with Ryan’s blood: the napkin, the rug, anything he touched.
With methodical precision, you scrub the floor clean, the sound of the rag scraping against the wood filling the room. You make sure to use bleach, wiping down every surface, making sure no bloodstains or lingering scent remains. The stinging smell of bleach replaces the coppery odor of blood, and you inhale deeply, feeling the chemical burn in your lungs.
When the room looks spotless, you gather the last of the evidence: your clothes, Minho’s bloodstained clothes, and the tools he brought. All of it goes into a large bag—anything that could tie either of you to what happened. Together, you make your way into the woods, where the night feels darker, heavier, as if nature itself is holding its breath.
Minho starts the fire, the flames flickering to life and casting a soft, orange glow over the trees. The bag is heavy as you both throw it onto the growing blaze, the crackling of burning fabric and wood filling the air. You watch as the fire consumes everything, turning it into ash and smoke. The smell of burning evidence—your clothes, Ryan’s blood, every trace of him—rises with the heat, drifting into the night sky.
Minho grabs your hand, intertwining his fingers with yours. There’s a quiet intimacy in the way you stand there, side by side, watching as the fire devours the last remnants of the crime. The warmth of his hand grounds you as the flames burn higher, until all that’s left are glowing embers and ash, scattering into the wind.
There’s nothing left now. No evidence. No trace. Just the two of you and the darkened woods.
-
The sun is slowly rising on the horizon when you walk back to the cabin
The final task is washing away the evidence from your bodies. You and Minho share the shower, alternating turns under the warm water as it washes off the blood and dirt clinging to your skin. At times, you help each other scrub, his hands trailing over the places where bruises and cuts mar your flesh.
There’s a quiet intimacy in the way you tend to each other, rinsing away the aftermath of the night before.
Once you're out of the shower and standing in front of the mirror, you notice the injuries. There’s a bruise blooming around your neck from where Minho had choked you, a thin cut across your chest from his scalpel, rope bruns on both wrists and ankles, and scrapes on your knees from tripping in the woods. The marks are raw, reminders of the violence that had passed between you.
“Come, sit.” Minho’s voice cuts through your thoughts. You turn to see him sitting on the bed, first aid kit in hand, his eyes already fixed on your wounds.
You obey, sitting beside him as he opens the kit. His fingers graze your skin as he pulls the robe open, exposing the cut on your chest. The light touch sends a shiver down your spine.
Minho leans in, studying the wound with careful attention before smoothing ointment onto it. You wince as it stings, and he immediately blows cool air on it to soothe the burn.
He moves to your knees next, his hands gentle as he applies more ointment and covers the scrapes with band-aids. His gaze lingers longer on the bruise around your neck, his fingers softly pressing against the swollen skin.
“Does it hurt?” His voice is softer now, a hint of worry in his tone.
“Not really,” you lie, and then it's your turn to ask about the bruise blooming on his jaw from Ryan’s punch, "How about it?"
He catches your hand and kisses it. "I'm okay."
Satisfied with your answer, he puts the first aid kit aside. His hair is damp, tousled as he pushes it back, and when his eyes meet yours again, there’s something dangerous and tender in his gaze.
“Aren’t you going to kiss it better?” you ask with a sly smile, teasing him.
His lips curl into a smile, and before you know it, his hands are on your waist, pulling you onto his lap. You straddle him, feeling the warmth of his body through the thin fabric of your robe.
“Want me to kiss it better?” he murmurs, his voice low, his brown eyes fiery as they lock on yours.
“Yes,” you whisper, your hands resting on his shoulders, needing his touch.
Minho leans in, placing a slow, deliberate kiss on the bandaged cut on your chest. His lips linger, and you feel the heat of the kiss searing into your skin. He doesn’t stop there, parting the robe further to press fluttering kisses along your collarbone, down to your breasts.
His hands tighten around your waist, pulling you closer as he buries his face between your breasts. He’s kissing, licking, and sucking your skin, his tongue leaving a wet trail in its wake. He takes his time with you, his fingers joining in, rolling and rubbing your nipples between them until they harden under his touch.
You tug at his hair, watching him, entranced by the way his mouth worships your flesh. His lips part with a soft pop as he releases your nipple, leaving it wet with his saliva.
“I’m obsessed,” he mutters, his lips brushing against your sternum. “I’ll always be obsessed with your body.”
He doesn’t need to say it—you can feel it in every touch, every kiss. His admiration for your body is palpable, his gaze lingering on your skin as though he can’t get enough. Your heart races, your desire growing hotter with each second that passes.
“Want you, Minho,” you moan breathlessly, your hands tightening on his shoulders. “I want you so much.”
Minho needs no further encouragement. He lays you back on the same bed where he tortured you earlier, his body moving over yours with a desperate hunger.
When he enters you, the intensity of his thrusts takes your breath away. His eyes flicker between watching his cock slide in and out of you and studying your face, seeking your reactions with every movement.
He slows down suddenly, leaning down to kiss you deeply, pulling away only when you’re gasping for air. He presses his forehead against yours, the heat of his breath mingling with yours.
“Are you mine?” His voice is rough, commanding.
You nod quickly, barely able to speak.
His fingers graze your lips. “Words.”
“I am yours,” you say, your voice trembling with need.
A dark grin spreads across his face, and he kisses you again, more urgently this time. “That’s right. You’re mine.”
Minho resumes his thrusts, picking up the pace. One hand moves to wrap around your neck, squeezing slowly, cutting off just enough air to blur the line between pleasure and pain. His thrusts don’t falter as his grip tightens, his voice a dark whisper in your ear.
“You’re mine. All mine. Only mine.”
Your vision swims, the pressure on your windpipe mixing with the waves of pleasure crashing through your body. You look into his eyes, and what you see there—lust, love, madness—sends you over the edge.
Both of you reach your peak together, bodies trembling as the release washes over you in shuddering waves.
When it’s over, Minho collapses beside you, pulling you into his arms. He places a soft, lingering kiss on your lips that makes your heart stutter.
“I love you,” he murmurs against your skin. His hand rests over your chest, right where your heart beats wildly.
Then, his voice drops, a dark promise in his words. “I want to cut you open and climb inside, so we can become one—forever.”
Anyone else would think it was madness, but to you, it’s just Minho. It’s the way he loves you—raw, obsessive, and unrelenting. And you love him for it, for every twisted piece of him that’s unlike any man you’ve ever known.
“And I would die for you,” you whisper back, your heart swelling with the weight of it. “Kill for you. I love you.”
It has always been your wish to be loved to the point of madness and Minho made that come true for you.
-
You wake to sunlight spilling through the cracks in the curtains, the warmth coaxing you from the comfort of sleep. The bed feels impossibly soft, but the familiar ache in your muscles reminds you of everything that happened the night before. Slowly, you stretch, your body protesting as you roll onto your side, blinking into the brightness.
The cabin is silent, save for the soft rustling of leaves outside and the occasional chirp of birds. You glance at the clock on the bedside table—it’s already late morning. You sit up, pulling the robe tightly around your body as you swing your legs over the side of the bed.
Your eyes fall on the small bandages Minho placed on your wounds last night. They’re a stark contrast to the serene morning around you, a reminder of the intensity that’s always lurking beneath the surface. But that’s how it is with Minho—love and danger, pleasure and pain, always intertwined.
The smell of food drifts up from downstairs, making your stomach growl. Minho must be downstairs.
You pad softly down the stairs, your bare feet making no sound on the wooden floor. As you step into the kitchen, you find Minho at the stove, the light from the window framing him in a soft glow. He’s already dressed in a white shirt that accentuate his broad shoulders and there’s a calmness in the way he moves as he plates food.
He turns, a warm smile spreading across his face when he sees you.
“Morning, sleepyhead,” he says, his voice smooth and gentle, as if the events of last night were a distant memory.
“Morning,” you reply, still groggy as you walk toward him.
You wrap your arms around his waist, leaning your head against his chest, breathing him in. His arms immediately encircle you, pulling you close as his lips press a soft kiss to the top of your head.
“You slept in,” he teases, one hand coming up to brush your hair away from your face.
“I needed it,” you murmur, tilting your head up to look at him.
His gaze is tender, and there’s something disarming about the way he looks at you like you’re the only thing that matters in the world. He leans down, his lips brushing against yours in a soft kiss, slow and sweet.
The world outside feels far away, and for a moment, it’s just the two of you—wrapped in each other, the chaos of your love quiet for once.
Minho pulls back, his thumb lightly tracing your lower lip. “I made lunch. Thought you’d be hungry.”
You smile, your heart swelling with affection. “I'm famished.”
He cups your face, kissing you again, this time deeper, more lingering. You melt into him, your hands finding their way into his hair, tugging gently as his lips claim yours. It’s moments like this that make you feel utterly consumed by him.
When you finally break apart, both of you slightly breathless, Minho rests his forehead against yours. His hands slide down to your waist, holding you close.
“How about we go for a ride on the boat today?” he suggests, his voice low. “It’s a beautiful day.”
You look up at him, your mind still foggy from the kiss. “A boat ride?”
He nods, his lips brushing against the corner of your mouth. “Yeah. The lake’s calm, the sun’s out. We could use some fresh air.”
The thought of spending the day out on the water with Minho, with nothing but the peacefulness of the lake around you, sounds perfect. You can already imagine the cool breeze against your skin, the way the sunlight will dance across the surface of the water.
“I’d love that,” you say softly, leaning into his touch.
Minho’s eyes glint with satisfaction, and he presses one last kiss to your lips before stepping back to finish preparing lunch. “But first, finish your food.”
As you sit down to the table, Minho places a plate in front of you, the meal simple but delicious. You eat in comfortable silence, occasionally exchanging soft smiles and touches, your hands brushing across the table as if neither of you can stand to be apart for long.
For the first time, the two of you are connected in a whole new level that it feels like nothing can tear you and Minho apart anymore.
-
The boat glides across the tranquil waters, the rhythmic sound of the oars slicing through the lake the only disturbance in the otherwise still air. The sun hangs high above, casting a shimmering path of light across the surface, making it look like a trail of gold leading them deeper into the heart of the lake.
You sit facing Minho, watching the muscles in his arms flex and contract as he rows, his gaze fixed on the water, intense and focused. There’s something serene about this moment, a rare softness between the two of you. It feels almost surreal, considering what happened just last night.
Last night, when this very lake was a silent witness to the horror you both created. Now, it feels like a different place—calm, almost idyllic. But the memory is still there, just beneath the surface, lingering like a dark shadow that no amount of sunlight can chase away.
Minho slows the boat as you reach the middle of the lake, his eyes shifting to meet yours. There’s a glint of something unreadable in them, a darkness that always simmers just beneath his surface. It’s the very same darkness that pulled you in, binding you to him in ways that go beyond love. It’s obsession, need, and something far more dangerous.
He lets go of the oars and shifts closer, his knees brushing against yours as he reaches out, his hand sliding into his pocket. You tilt your head, watching curiously as he pulls out something small and shiny.
Your breath catches when you realize what it is. Your wedding ring.
Minho holds it up between his fingers, the gold band catching the sunlight. You stare at it, your heart pounding as memories of your vows come flooding back. The promises you made to each other, promises that were shattered and reforged into something far more twisted and unbreakable.
“I believe this belongs to you,” Minho murmurs, his voice low and soft.
There’s a tenderness in his gaze that disarms you, makes you feel as if he’s peeling back every layer of yourself and looking straight into your soul.
He takes your left hand, his touch featherlight as he slides the ring back onto your finger. You shiver at the sensation, your eyes locked onto his as he recites the very vow you spoke on your wedding day.
“In sickness and in health…” he begins, his voice barely a whisper but strong, his gaze unwavering. “For better, for worse. For richer, for poorer…”
You swallow hard, your heart hammering against your ribcage. There’s an odd sense of finality in his tone, as if he’s sealing not just a promise but something darker—a pact, a blood oath that binds you together not just in love, but in sin.
“...Till death do us part,” he finishes, his thumb brushing over your knuckles, where the ring now rests again, a symbol of everything you are to each other.
You draw in a shaky breath, the words catching in your throat. “Till death do us part,” you repeat, your voice just as soft, but the weight of the vow feels heavier now, burdened by all the blood and secrets you share.
Minho’s eyes light up at your response, a smile tugging at the corner of his lips. He leans forward, pressing his forehead against yours, his breath mingling with yours in the still air.
“We’re bound again,” he murmurs, his lips brushing against yours as he speaks. “In life, in death, in everything. You’re mine.”
“And you’re mine,” you whisper back, your fingers curling around the front of his shirt, pulling him closer. There’s a fierceness in your words, a possessiveness that matches his own. Because you are each other’s, wholly and completely, in ways that no one else could ever understand.
Minho cups your face, his thumb stroking your cheek as he kisses you—soft at first, almost reverent. But then it deepens, turning into something desperate and consuming. You can feel the intensity in every press of his lips, every brush of his tongue against yours.
It’s not just love; it’s hunger, an insatiable need to claim and be claimed.
When he finally pulls back, both of you are breathless. Minho rests his forehead against yours again, his fingers threading through your hair.
“With you, I’m never alone,” he whispers, his voice raw and honest in a way that sends shivers down your spine. “You’re the only one who understands me, the only one who’ll stay.”
“And I will,” you reply, your fingers tightening around his, “Always.”
Minho’s smile is small but genuine, and for a moment, he looks almost boyish, the hard edges of his face softened by the sunlight filtering through the trees around the lake. He brushes a stray strand of hair behind your ear, his eyes dark and intense as they lock onto yours.
“We’re more than just lovers now,” he murmurs, his voice low.
Your gaze shifts to the water surrounding the boat, to the spot where Ryan’s body lies hidden beneath the surface. A chill runs down your spine, but it’s not fear—it’s the thrill of what you’ve become together. Bound by love, by blood, by the darkness that twists through both of your souls.
You softly nod in agreement as you turn back to him and with that, the two of you are bound once more—not just by the ring now resting on your finger, but by the weight of the secret that lies at the bottom of the lake. It’s your bond, your burden, and in a twisted way, it’s also your triumph.
Because what you have with Minho isn’t normal, and it isn’t sane. It’s dark and consuming and entirely your own. It’s a love that defies all reason, a connection that can’t be broken, no matter how much blood is spilled.
After all, when love is not madness it is not love.
-
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Welcome to June's halfway point! Summer is five days away, and we can't wait.
Anyone have fun summer plans?! Let us know below! ⛱️
We're here to update you on the team's work so far this month, so let's jump in.
The script for the fifth Moment, Rhyming Riddles, is... wait for it... DONE! 🎉
The draft for one of the linked Moments is basically done – GB is just waiting to finish the other linked Moment to wrap both of them up. She's also drafted more of the shared scenes that can happen in either Moment, depending on which you choose to do first/second.
For programming progress: Sound effects have been added to scenes! Also, Shawna has added the text for the remaining Fall Ended scenes. GB will now go in and add visuals & audio in order to make it playable. She notes that the raw text is the most complicated part of programming content, so it's awesome that that part is done.
And that's what we've got! It's been a busy two weeks, and we'll have even more for you in another two weeks (because that's... how long a month is ✨)
Thanks for reading, everyone! And now, it's time to cue High School Musical 2. Summer... Summer... SUMMER... 🔊🔊🔊
#gb patch#gb patch games#our life#visual novel#otome#dating sim#our life: now & forever#interactive fiction#our life beginnings & always#indie games
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THINGS I WISH I KNEW WHEN I WAS GETTING STARTED WITH THE LAW OF ASSUMPTION (AS SOMEONE WHO HAS BEEN MANIFESTING FOR 5 YEARS)
1. the law of assumption is personal. considering how we have different sets of experiences, different environments, different upbringings, and even different languages, we have different assumptions.
because of this, we are affected by teachings and success stories differently. it's important to note this since a lot of manifestation coaches will teach you about the law in a way that worked for them (and the others they may have taught) but it's possible that their advice (even my own) may not be the best for you. even abdullah and neville goddard, two of the people who are known to start this discipline, may have ancient or varied belief systems and techniques. this is normal considering the world they lived in before is different from the world we live in now.
although, you should still read on abdullah and neville because they will teach you the basics and they will help you understand the foundations of the law.
as an example, you might manifest your dream career faster with simple affirmation techniques but a coach may have taught you to focus on visualization techniques.
even the idea that "dominant THOUGHTS manifest" or "what you BELIEVE in manifests" is entirely up to you.
note: notice how i said "may not be the best for you" instead of "may not work for you". any technique can, does, and will work.
how i learned this: when i was learning about the law, i mainly focused on neville's teachings because he was one of the most prominent figures in the practice. and though i liked his practical techniques (especially mental diet and inner conversations), there were some beliefs that i do not agree with e.g. divine timing, appointed hour, avoiding "does not" "is not" "will not".
when i was going through sammy ingrams' takes, she said that it's better to have concise affirmations/short list (non-verbatim) than a long list of 25+ affirmations. but going through affirmations without being specific about them doesn't personally resonate with me and that's just because i'm a detail-oriented person (also a writer).
what i can advise:
learn about different approaches
a. through scientific concepts. e.g. quantum physics, reticular activating system, cognitive reframing, cognitive behavioral therapy, the psychology of placebo effect, the psychology of affirmations, Baader-Meinhof phenomenon (a.k.a. the psychology of self-fulfilling prophecy)
b. through religious and/or spiritual concepts. e.g. passages from the Bible, passages from the Quran, deity work, spells and rituals
c. through self-development. e.g. identity-based habit
start the practice with an identity you like in the present or an identity that you resonate with (learning style, talents, interests, etc.)
examples:
-visual learner = vision boards
-loves writing = scripting
-words of affection love language = affirmations
take teachings with a grain of salt. do not limit yourself and do not allow other people to limit you. experiment with concepts, ideas, and techniques, and have fun with them.
2. techniques are only reminders. you are manifesting either by thinking, feeling, or acting out your desires. you are manifesting every second of the day either with your thoughts, emotions, or by embodying a state. you are only being intentional when you anchor techniques.
note: it is true that your dominant thoughts manifest. it is also true that what you believe in manifests, the same way that your inner knowing manifests. BUT these ideas are meant to empower you. they are meant to remind you that manifestation is as easy as thinking, feeling, acting, believing, understanding, deciding, etc. if an idea doesn't feel good to you, it doesn't have to be an ultimate truth you embrace and carry on with. this is the same with techniques.
what i can advise:
choose one technique and practice it for 7 to 21 days. it can be mental diet, affirmation tapes, sats, mind movies, etc. as long as you can persist with it. give it time. give it time. give it time. in other aspects of the world, you give change some time. when you're calcium deficient and you decide to drink calcium supplements, you realize that it's counterproductive to ask "why am i still calcium deficient?" as soon as you start your regimen because you know your body is changing with the supplement and you put your trust into it. after all, why would you choose a supplement you have no faith on? you just give it time.
note: you can still manifest changes to be instant. you can affirm "i am seeing results now", "results come immediately", "my manifestation is quick". the amount of time you're using a technique does not equate to the amount of time your results will come.
the reason why i encourage you to practice for maximum 21 days is so you can fully explore and master the technique you chose. with the abundance of topics and methods discussed in social media, switching and trying new things is tempting. now, there is nothing wrong with this. it's just that, you wouldn't be able to take a step back and reflect on what worked and what takes more effort when you change techniques every so often.
try a technique that is popularized in the media. a lot of the times, the reason why this technique gained traction is either because it's simple or because it has worked for a lot of people. now, here's the thing: if said technique wasn't for you, at least you can say "oh this is a tiktok/twitter/youtube/old/beginner technique, there are other techniques out there" and you can try another technique with less resistance. but, if it did work, then it did. congratulations.
you can invent your own. here are some techniques that i invented throughout the years.
a. "name is set and solid with the fact that..." - works amazing for sp, getting people to commit, getting people to pursue you
b. "okay! manifestation powers go brrr!" - funny but i do this when I'm spiraling; it also helps me surrender doubts and i think it's because it's so simple and unserious lmao
you can combine them. for example, you want to do sats but you cannot hold a vision for long, what you can do is montage photos or videos that is similar to the vision you want to manifest. you can also have affirmation tapes running in the background.
3. "concept" work can be such a banger. assumptions are basically the conception about the world, about yourself, about the people around you. hence, when you manifest and apply the law of assumption, you change or reinforce a conception.
these can be done through:
self-concept
what it is: your awareness about yourself; the way you perceive yourself.
how you can apply it: there are multiple ways to establish your self-concept but the best way, is to start reinforcing the universal truth: that you are inherently worthy. you deserve money and resources because you are worthy. you deserve love because you are worthy. you deserve ease because you are worthy.
other ways to grow your self-concept is celebrating the identities you have within yourself that you like e.g. that you are strong, you are disciplined, you are beautiful. be careful about strongly tying yourself into these identities though because these are not the reasons why you shall receive. again, you shall receive because you are inherently worthy.
why it works: by having a strong self-concept, you develop ease. you are less likely to rationalize or question the law or why you deserve the things you're asking for. and as you may think, rationalizing may be a form of resistance. questioning may be a form of resistance.
one of the ways i have seen this is when people receive incentives from work, instead of just receiving or saying "thank you", they say things like "what have i done to receive this?", sometimes completely rejecting this gift because of fear that they might lose something when they receive. this can be an example of a weak self-concept. consequently, the company starts questioning "did my employer really do enough to receive this?".
on the other hand, someone with a strong self-concept can take this incentive and buy the things they like because they know they deserve it. they can also take this incentive and say to themselves "oh it's because i worked hard these past few days". it's the knowing and confidence they have within themselves that everything around them has no other option but to recognize.
conception of other things (e.g. of love, of money, of a specific person)
you can work on your conception of other things the same way you work on your self-concept: choosing a narrative that is uplifting to you.
in case you have resistance to a specific object, you can also listen to people's success stories to start shifting to a more positive and desirable perception. one of the ways i do this is by going back to abdullah and neville's story. these two men lived at difficult times, through difficult eras, yet they manifested their desires. they managed to let go of the 3D.
4. practice some distance as you're starting. you were exposed to a different life before the law, it's only normal and human to have doubts or spiral once in a while. however, when you set distance on things that do not help you embody the state, you set distance on things that will feed your doubts and spiraling.
for example, if you're shifting to a state of wealth and you're affirming "i have 1,000 dollars". it's unhelpful and opposing to be constantly surrounded by someone else saying "you only have 10 dollars".
now, i do understand that not everyone can do this right away because of circumstances. but PLEASE do whatever you can to set this distance. find a voice to reinstate your truth.
a personal story, i am an asian girl living with a grandmother who was pessimistic about love because her two children (my mom and my aunt) struggled with it. because of this, she used to constantly remind me of how love is difficult. i didn't know this at the time, but this created a set of beliefs in my head. consequently, as a teenager, i only seeked and allowed love which was difficult because that was all i've ever known. that was all my assumption.
but around the pandemic, i went back to the countryside with my dad where i had a lot of time on my own. this was when i got deep into new-age spirituality and did shadow work. from here, i realized: this is not my assumption about love. before my parents broke up, my assumption was that love is easy. you only have to make the other person laugh. when i was busy in school and would spend most of the time at my friend's house, my assumption was that love is support and light. i started to get these epiphanies that a lot of my pessimistic perception was because of someone i was constantly surrounded with and that i have to build new assumptions.
but around august 2020, i have to go back to the city with my grandmom. i was afraid of the toll i might get into when i got back. however, because i already practiced distance and understood what are the assumptions that serve me, what are the assumptions that i want, i was more at peace. i listed down affirmations about myself, about love, about money, about being "deserving".
after this, every time she told me what love was, i can stop her and say no. i can tell her that it's not the universal truth, and certainly not mine. along the way, i started manifesting that she believes love is easy and supportive. i started manifesting that she believes i deserve love that is soft and tender.
then, when i got into my relationship, she was nothing but happy and supportive.
other ways i have practiced distance while manifesting:
unfollowing content creators who normalized hating men.
unfollowing content creators who were shady and negative about relationships.
unfriending highschool guy friends who do not make me feel safe about men.
unfriending relatives who make unnecessary comments about my looks, my studies, my relationship, and my earnings.
unfollowing girls who made me feel bad about also liking girls.
unfollowing manifestation gurus who romanticize struggles because "the more you struggle, the more you get blessed"
unfollowing manifestation gurus who say stuff like "if you want money, you have to take action to deserve it. not just manifesting"
now, you can totally manifest these people to change and be better, as long as it will make you feel good.
that's all i can share today (since this post is already getting long). i hope you learned a thing or two. thank you so much for reading. i love you and i appreciate you !
xo
#law of assumption#loassumption#loa tumblr#loa blog#neville goddard#living in the end#loass#loassblog#manifestation#manifesting#affirmations#visualization#self concept
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